Rosa von Praunheim visits Charlotte von Mahlsdorf in Sweden.

Running order of guests: 1. ABBA - Intermezzo No.1 (opening credits) 2. ABBA - Mamma Mia 3. Merit Hemmingson 4. Sylvia Vrethammar 5. ABBA - I Do, I Do, I Do, I Do, I Do 6. Björn Skifs 7. Lill Lindfors 8. ABBA - So Long 9. ABBA - Intermezzo No.1 (closing credits)

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Brooklyn dancer Storyboard P's relentless quest to express himself takes him to unexpected places and pushes him and those around him to their limits.

In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.

A forgotten movie star learns that the director who made her fa-mous will be filming his last film in Paraguay so she sets out on an unusual journey in search of something more than just getting the leading role that she feels belongs to her.

A teenage girl is babysitting at a new house when she's accosted by a vicious, possessed doll. With the babysitter in bondage, the toy subjects her to a series of terrifying tales on the television, each story more grave than the last.

A close-up fixes on the eye of British actor Charlotte Rampling. McQueen's finger moves around her eye, pulling the skin and momentarily touching her eyeball. Rampling's eye continually adjusts to the movement of the finger, just as the camera lens goes in and out of focus. Suffused in red, Charlotte is a reflection on the act of looking.

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